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Gill Mannings Cox
Gill Mannings Cox

The highlighted area on the map will help those of you who may wish to make a studio visit or want to patronise a craftsman from a specific locality.
Please e-mail Gill Mannings Cox to make an appointment.
 
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9 piece(s) found: 
Moment to Go
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Moment to Go
Price: £5700.00
Iridian
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Iridian
Price: £150.00
Bride
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Bride
Price: £Price available on request
Below Six Fathoms
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Below Six Fathoms
Price: £520.00
Iridian
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Iridian
Price: £280.00
Summer
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Summer
Price: £1300.00
 

Gill Mannings Cox
 
The work of Gillian Mannings Cox has been widely exhibited and introduced to notable private and permanent collections such as those of Queen Elizabeth the Queen Mother and the Victoria and Albert Museum, the Koganezaki Glass Museum, Japan and the Glasmuseum, Ebeltoft, Denmark. She has recently established 'Glassmasters', her studio - workshop, where her teaching and the design and realisation of her sculptural work, and the continuing exploration into innovative techniques will be concentrated.
 
Date of Birth:    
 
Associations:
 
Awards: 1999 Awarded scholarship residency Northlands Creative Glass Centre, Caithness.
 
Commissions:
 
Education: 1998 MA (Distinction)
 
Group Exhibitions:
2003 Ombersley Gallery with other artists
' Reflections' Solo exhibition at Desmoulin at The Granary,Newbury
Demonstrator/ exhibitor at 'Art in Action'
Fellows of the Guild of Glass Engravers, Fine Arts Society, London
2002 'Masters of Glass' Exhibition with two glassmakers of other disciplines, Wales
National Guild of Glass Engravers' Exhibition, London
Exhibition of Fellows' Glass, GGE
2001 Religioskunst Motifs - Glasmuseum, Ebeltoft, Denmark Deep Surface': The Thames in Glass - The River and Rowing Museum Gallery, Henley on Thames.
2000 One of five UK artists 'Vessels - International Exhibition of Glass',Japan
Spring Open - Millennium Surroundings, National Glass Centre
Demonstrator / exhibitor 'Art in Action'
National Guild of Glass Engravers, Cork Street
Royal Birmingham Society of Artists, showcased artist
1999 Selected exhibitor Society of Designer-Craftsmen Show, London.
Opening exhibition, Cusp Gallery, Burghley House.
1998 Exhibitions: New Designers Glass of '98, Himley Hall.
Gill's work can also be seen at Broadfield House Glass Museum, West Midlands
The National Glass Centre, Sunderland
 
Solo Exhibitions: 1999 One - man show Lawrence Batley Theatre, Huddersfield
 
Travel: Nationally, Yes   Internationally, Yes
 
Press Quotes:
Publications:
Engraved Glass -International Contemporary Artists; T & M Goodearl, ISBN 85149 307 7
Studio Glass 1960 - 2000 ; Dr Graham McLarenISBN 0-7478-0527-X
Articles for specialist journals, on 'Graal' and related techniques.
 
Maker's Statement:
My reason for choosing glass as a medium - and especially the intensely clear and brilliant glass I choose to melt in my furnace - is to exploit its endless opportunities for attraction from a distance then inviting the viewer into its depths at close hand. I use rich colours and pare down the forms to the simplest possible lines. When imagery is part of the design the same principle applies; the viewer is intended to see progressively more, and to allow questions and observations to arise, the longer and deeper he looks into the glass.


Applications for apprentices are welcome.
Studio visits are welcome.

 
Commissioning Procedure
Initial discussions may be held at a convenient meeting place, or by post, fax and phone, but better still at my studio. This is when the client can give an outline indication of the style, size and price of piece he has in mind, and suggest such details as colour and design if applicable. If the client has a rough sketch I produce a working drawing of which the client takes away a photocopy and I keep the original. If the working drawing involves complicated calculation there may be a second version sent on later by post or fax for approval. At this stage fairly accurate time - scale and price is given. The client is welcome to visit at various stages during the making process, especially for ' graal' pieces. Photos may also be taken at the major stages of making a ' graal'.

I am willing to travel anywhere in the UK at fairly short notice, except during the run - up to a major exhibition. Travel abroad is possible too but commitments mean that longer notice is required.

Clients are warmly encouraged to visit the studio even though they may not yet have cogent ideas for the piece they may wish to commission. I count visits as an important part of the process if and when they can be arranged and the clients are made welcome not only to discuss before to observe while the piece is made, but also afterwards to see what's new and have a chat.

Apprentices are pat of the normal structure of a glassmaking studio, both in the hot shop and in the engraving workshop. They come from all walks of life and all ages. What they have in common is a love of glass. All requests are seriously considered on their individual merits.

Pricing Policy
As all the pieces are one - offs, including the related series, each price is calculated separately and is based on several factors. Prices for the pieces shown in the photographs are quoted. These prices will give a guide to the kind of price any similar object will cost.



 
VAT Registered: No

 
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