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Emma Johnstone
Emma Johnstone

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Please e-mail Emma Johnstone to make an appointment.
 
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17 piece(s) found: 
Small Gold Bowl
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Small Gold Bowl
Price: £290.00
Small Copper Bowl Segment
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Small Copper Bowl Segment
Price: £370.00
Round Copper and Black Vessel
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Round Copper and Black Vessel
Price: £300.00
Tall Copper and Black Vessel
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Tall Copper and Black Vessel
Price: £500.00
Medium Gold Disc
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Medium Gold Disc
Price: £375.00
Deep Copper and Black Vessel
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Deep Copper and Black Vessel
Price: £300.00
 

Emma Johnstone
 
I returned to college at the age of 26 - having had a varied and colourful career in several fields including the music industry, corporate and cable TV. I returned to college in 1993 and I realised I’d made the best decision of my life. Now my time is spent in the studio, doing what I love best. I make raku bowls, vessels and sculptures. They are highly finished pieces, incorporating ground, polished and gilded surfaces and have a precious gem-like quality to them.
 
Date of Birth:    15th October 1966
 
Associations: CPA
 
Awards:
 
Commissions: 2005 Royal Bank of Scotland
 
Education: 1996 University of Westminster - Workshop Ceramics BA (Hons), First Class Honours.
 
Group Exhibitions:
2006
Art in Action
Earth & Fire
The Great Art Fair
The Affordable Art Fair
The Bevere Gallery

2005
Earth & Fire
Art in Action
2004 Collect, V & A
Art in Clay

2003
Eton Applied Arts
Ceramics in the City
New Ashgate Gallery
Wessex Fine Art
Art in Action
Chelsea Craft Fair

2002
Business Design Centre, Islington, London
Ceramics in the City
Art in Action
Artisan
Chelsea Craft Fair
‘Gold’ - Contemporary Ceramics
Wall to Wall – Sarah Myerscough Fine Art

2001
Art 2001 – Business Design Centre, Islington, London
Glasgow Art Fair, Glasgow, Scotland
‘Too Hot to Handle’ Grace Barand Design Centre, Surrey
‘A Still Point’ MAC Gallery, Manchester
Chelsea Craft Fair – London
Affordable Art Fair – Fairfax Gallery, Battersea

2000
Art 2000 – Business Design Centre, Islington, London
Glasgow Art Fair, Glasgow, Scotland
Barbican Centre – Showcase Exhibition
Chelsea Craft Fair – London

1999
Chelsea Crafts Fair – London
Vessel – Sarah Myerscough Gallery, Mayfair, London

1998
Earth & Fire IV - Rufford, Nottingham
Archway Ceramics - Open Weekend - Guest exhibitor
Elements - Mosaic Gallery, Buxton, Derby

1997
Earth & Fire III - Rufford Nottingham
The Quay Arts Centre - Isle of Wight

1996
All Fired Up - Atrium Gallery, Whiteleys, London
The Best of Harrow - Eton Applied Arts, Eton, Windsor
 
Solo Exhibitions:
 
Travel: Nationally, Yes   Internationally, Yes
 
Press Quotes:
The Guardian
The Independent
The Times
Homes & Gardens
The Telegraph Magazine
Live it - Conran Magazine
The Evening Standard
The Mail on Sunday Magazine
Homes and Antiques
Essential Homes
 
Maker's Statement:
These pieces have evolved from work started while living in Jerusalem. I am interested in the concept of fragments, glimpses and half remembered images of nature. My interest with the bowl form is enduring, and recently my work has been led by the clay and the secrets it hold both above and below the surface. The new work shown here is based on the deconstruction of my earlier pieces. By removing sections of the original forms, new planes are revealed and the form takes on a fresh perspective. I am using the slip resist technique on selected surfaces and contrasting this with gilding and texture.

Studio visits are welcome.

 
Commissioning Procedure
Each piece is a unique hollow thrown vessel, which is raku fired and gilded with copper, silver or gold leaf.

Raku is the fastest and possibly most dramatic method of firing ceramics. Developed out of the original ancient Japanese technique, biscuit ware is fired up to approximately 1000ºc in less than an hour - a normal glaze firing takes between 10-12 hours.

Once the pots are glowing hot, they are removed from the kiln using long tongs and placed into bins containing sawdust. The temperature of the pots drops dramatically before they are covered, causing ‘thermal shock’. This manifests itself in the form of very fine cracking in the body of the clay that is characteristic of Raku.

In the bins, the sawdust ignites due to the extremely high temperature of the pots and then bins are sealed and the pots left to cool down. The carbon caused by the now smouldering sawdust is absorbed into the surface of the clay, turning the pots black. The carbon is absorbed more deeply into the cracks in the body.

Once the pots have cooled down, the top rim is ground back to reveal a complex pattern of fine lines and the soft grey tones within the body of the vessel. Finally, Emma gilds the inner surface of the vessel to add an iridescence, which contrasts with the matt black and grey of the outer surface.

This unpredictable and intense firing process invests each piece with a unique character, which is wholly determined by this alchemy of fire. Such abandonment to chance is in stark opposition to the controlled process Emma goes through when making her hand-thrown hollow vessels and their sharp and precise forms.

‘I can never know exactly what will be created when my pots are exposed to this intense heat and smoke – each piece is a surprise, sometimes a delight, sometimes a disappointment. I relish this contrast between making and firing and I am content to relinquish control of part of the process over to chance.’

Pricing Policy
Each piece is a one-off and I do not try to replicate.
£150 - £1000
 
VAT Registered: No

 
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